Once...Was Enough

The bar is full, but not quite packed when we arrive around 10:30. The band is scheduled to start at 11:00, but few tings here start on time. (This tends to work well for me.) I mainly want to people watch, but do chat briefly with a European fellow. His hair, which looks to have once been red, is wispy and longish in a Back-to-the-Future-Christopher-Lloyd kind of way. What strikes me most is the giddy smile on his face.

“I usually don’t come to this side of the island but I’m starved for music down here, man,” he says with a goofy grin. I agree. It delights me to watch his diaphanous hair flutter around him while he paces enthusiastically around the room in anticipation of the band’s arrival.

I notice a girl with messy bleached hair and roots as dark as her eyeliner. Her big British jugs are held in by a much-loved Kurt Cobain tank under a short-sleeve plaid t-shirt. She wears tight cropped jeans and black boots- an ensemble I find both nostalgically comforting and anachronistically absurd. I don’t believe I’ve laid eyes on a Cobain shirt since high school. Many of the grunge kids I hung with were Nirvana diehards. For years, I was the lone Pearl Jam fanatic.

If this many people showed at a Pearl Jam knock off concert when I was a teen, it would have thrilled me, at least in finding other regional fans. But now I look around at those who exited their regular island orbit tonight to hear Once play at the Caribbean Saloon, and instead of excited, I am critically curious, expecting this to be lame. I know it won’t generate anywhere near the group energy produced at the ten or so Pearl Jam concerts I’ve seen over the past twelve years. This band will focus on hits, many of which are usually my bathroom or beer break songs.

Fittingly, the band looks similar to my high school alternafriends. The guitar and bass players even go so far as to look like teenagers themselves. But the lead singer must be well into his thirties. He wears long cargo shorts and work boots. His hair is brown, wavy and shoulder length. From behind, he does indeed look a lot like a mid-90’s Eddie Vedder.

But his voice is a caricature of Ed’s. This annoys me greatly, however does not at all surprise. I was, in fact, afraid of it. Eddie’s voice is quite distinct and easily mimicked. Most short-careered bands in the mid and late nineties copied his vocal style. This guy’s voice reminds me specifically of the singer from Seven Mary Three, the one who added “cumbersome” to many a poser’s vocabulary.

They play Alive first, a song I consider a set closer or encore pick, per Pearl Jam’s usual method of procedure. I reserve the enthusiasm exhibited by those around me, hoping they’ll break out a more random tune later in the show.

So, I am happy when they play Down, All or Nothing, Breath, and State of Love and Trust, and leave my barstool to move a bit among the crowd. During one of these exertions, I meet a very happy little guy from Puerto Rico. He approaches the stage and requests the Screaming Trees. I ask if he’s referring to the song from the Singles soundtrack.

“Singles soundtrack?!” He yells at me. “Yes, you know Singles soundtrack?!” But with his wonderful accent it sounds like he’s saying “Sinnells soun-track.”

“Yeah, of course I know it. I grew up with it!”

“Me too! Nobody in Puerto Rico ever knew the Sinnells soun-track!”

“You grew up as a Pearl Jam fan in Puerto Rico? God, you probably had an even worse time than me when it came to finding other fans! I thought I had it rough in Iowa, but I bet Puerto Rico was worse.”

“Yes, I was the only one! It sucked!” he yells at me above the music, smiling widely, and holding out his hand to shake. “Nice to meet you.”

Here we are, both living on St. Thomas, yet neither of us born or raised here. Both making a specific effort to catch this Pearl Jam cover act, the closest we’ll get to seeing our favorite band live in the Caribbean. I look around at the diversity of the people—a favorite I’ve not yet mentioned is a large black man with one of those fat rolls between the bottom of his bald head and the top of his thick neck. He seems to know every word to these songs and he couldn’t be further from the grunge rocker stereotype.

At a real Pearl Jam show in Minnesota, I would mostly run into other 18-55 white Middle Americans. In a way, this makes sitting through what might as well have been a performance by the avatar band from Guitar Hero worthwhile. I get to pay a bit of homage to a bygone era in American rock music with a group of people as varied as the species of flora in the Virgin Islands.

I hope this island serves as a place of evolution for the diverse group here tonight as much as it does for me. Because who wants to be like a cover band and remain frozen in time?